Arturo Corrales — Azulejo (2012) for ensemble
Steffen Krebber — Laß mich bei den schicken Villen in den Wicken chillen! (2022) for flute, cor anglais, E-flat clarinet, bassoon, drum kit, electric harp, synthesiser, violin & cello WP
Oxana Omelchuk — breakcourage (2022) for piccolo/bass flute, oboe, E-flat/bass clarinet, bassoon, drum kit, electric harp, synthesiser, violin & cello WP
Hannes Seidl — Brave Chords (2022) for cor anglais, bassoon and electric harp WP
Counter-culture vs. counter-culture. Critical intellect and experimentation vs. angry rebellion and release. Contemporary music vs. rock 'n' roll. On the surface, these two musical cultures are fundamentally different, but in their essence closely related: they share an incandescent desire to change the world, to evade the prevailing societal mechanisms; their unifying quality is to stand in opposition to the establishment. With contemporary music happening (too often) in academic circles, for hand-picked audiences and within pointed intellectual discourse, its disciples gaze enviously at the impact of the more rebellious rock 'n' roll. How gladly would one be singed by the flames of rock; how gladly would one be bowled over by its anger. However, caution: at all costs do not jeopardise the intellectual quality of the work... This project at the nexus of new music and rock boasts three world premieres by composers Oxana Omelchuk, Hannes Seidl and Steffen Krebber as well as two existing pieces including Azulejo by Swiss composer, Arturo Corrales, in a new arrangement by the ensemble. An integral part of the concept is the addition of drum kit to the ensemble and the consequential amplification and live fusion of the sound using the aesthetic stylistic devices of rock 'n' roll, featuring close miking of the drum kit and electromagnetic pickups of the stringed instruments.
13th April 2022, 8pm Kulturhof – Schloss Köniz • Tickets
14th April 2022, 8:30pm Le Singe Biel • Tickets
21st September 2022, 8pm Walkmühle Wiesbaden
18th October 2022, 8pm LES 6 TOITS
