Website of Australian clarinettist, performer and composer Richard Haynes
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Performing “prepoznaćeš me po sjaju”
by Nemanja Radivojević
Richard Haynes performs as a soloist and with leading ensembles and orchestras worldwide:
AchtBrücken Cologne. Adelaide Festival. Barbican Center. Bendigo International Festival of Exploratory Music. Brisbane Festival. CALarts Los Angeles. Chekov International Theatre Festival Moscow. Christchurch Symphony Orchestra. CIKADA. Concertgebouw Amsterdam. Dampfzentrale Bern. Elbphilharmonie Hamburg. ELISION Ensemble. Ensemble Garage. Ensemble Modern. Ensemble musikFabrik. Ensemble Phœnix Basel. ensemble proton bern. Ensemble Resonanz. Festival Archipel Geneva. Festival d'Automne Paris. Gare du Nord Basel. Harvard University. Holland Festival. Klangforum Wien. Lincoln Center Festival New York City. MaerzMusik Berlin. MAM.Manufaktur für Aktuelle Musik. Melbourne International Arts Festival. MusicaNova Munich. Musikfestival Bern. Muziekgebouw Amsterdam. Opening Festival Trier. Opera Bastille Paris. Philharmonie Berlin. Philharmonie Cologne. Royal Albert Hall London. RTÉ Orchestra Dublin. RuhrTriennale. Salzburg Festspiele. SPILL Festival London. Stanford University. Stroma Wellington. SWR Sinfonieorchester. Sydney Festival. Sydney Opera House. Tage für Neue Musik Zurich. Ultraschall Berlin. Vienna Festwochen. WDR Sinfonieorchester. Wiener Konzerthaus. Wien Modern. 175 East Auckland.
Tells of the recognition and acknowledgement of the gaps and spaces, of the constant mutation of language and its secondary phenomena, incomprehensibility, openness. Tells of Jacob and Wilhelm who eventually die hunched over the words ‘durst’ and ‘frucht’.
Beat Furrer – Xenos-Szenen mit den Neue Vocalsolisten Stuttgart und Klangforum Wien
Project: The resurrection of the clarinet d'amore!
I am in the process of commissioning the building of a modern full-range clarinet d'amore (in G). This instrument was used predominantly as a harmony instrument from the 18th to 19th centuries but became obsolete prior to the 20th century, possibly due to the dominance of the basset horn. The interesting features of this instrument, at least in the case of some models, were the slightly bent neck, a narrow bore and a globular bell (like that of the cor anglais), all contributing to its gentle, covered sound. With a fully chromatic modern key-work and extended range to written low C (sounding G2) as well as the physical and acoustic characteristics described above, the clarinet d'amore will be a very exciting addition to the clarinet 'arsenal'! Please help me fund this project by donating today, using the 'donate' button below. Your donation will be acknowledged with a tax deductible receipt and a copy of the first ever CD of historical and contemporary music especially written for clarinet d'amore, recorded on the new instrument.