Interpolated quartertone scales & arpeggios

Bildschirmfoto 2019-05-21 um 15.42.58.png
Bildschirmfoto 2019-05-21 um 15.43.46.png
Bildschirmfoto 2019-05-21 um 15.42.58.png
Bildschirmfoto 2019-05-21 um 15.43.46.png

Interpolated quartertone scales & arpeggios

5.00

Whilst the clarinet is capable of incredible chromatic complexity and many different kinds of microtonality, this is often not condensed into its purest form, encountered most of the time in the repertoire and therefore learned within specific contexts. My charts aim to offer comprehensive examples of microtonal pitch systems in a way that can be practiced daily, in a multitude of different ways. This chart uses interpolations at the 3rd, 5th, 7th, 9th, 11th, 13th, 15th, 17th, 19th, 21st and 23rd quartertones of all chromatic intervals between a whole tone and an octave and can be used as a tone exercise, technical exercise or a combination thereof.

Add To Cart

Whilst the clarinet is capable of incredible chromatic complexity and many different kinds of microtonality, this is often not condensed into its purest form, encountered most of the time in the repertoire and therefore learned within specific contexts. My charts aim to offer comprehensive examples of microtonal pitch systems in a way that can be practiced daily, in a multitude of different ways. This chart uses interpolations at the 3rd, 5th, 7th, 9th, 11th, 13th, 15th, 17th, 19th, 21st and 23rd quartertones of all chromatic intervals between a whole tone and an octave and can be used as a tone exercise, technical exercise or a combination thereof.

This is a PDF download - DIGITAL ONLY / NO POSTAGE NEEDED

This chart remains © Richard Haynes and any reproductions in full or in part should be credited to Richard Haynes. The user acknowledges the use of the information contained therein is at own risk and no liability can be accepted on the part of the author.