Richard Haynes is a soloist, chamber and orchestral musician, performer, curator, composer, arranger and translator. He performs music spanning the 18th to 21st centuries all over the world in a multitude of contexts: concert, recital, installation, opera, musical, and cross-art forms, performs and improvises with the body and objects, writes traditional and text-based scores for performance, arranges music for chamber ensembles and translates musicological texts. Since winning the title of Australia's Young Performer of the Year (YPA) and the Australian Art Music Award (APRA AMCOS) for Performance of the Year, Richard Haynes has spent almost 15 years performing regularly in Europe, the USA, Asia, Australia and New Zealand. Richard Haynes is a 1st Prize winner of the Concours Nicati, Switzerland.
Richard Haynes has successfully completed performing and coaching residencies at the Canterbury, Griffith, Harvard, Huddersfield, Melbourne, Stanford and Sydney Universities as well as CALarts and the New Zealand School of Music. He has curated the 2017 edition of the concert series soapbox_013 in Berne and is active in programming contemporary music through a position on the board of the ISCM/IGNM Berne. His compositions and arrangements have been performed by Ensemble Proton Bern, Elision Ensemble, Queensland Symphony Orchestra and various soloists. As a translator of texts about music and art into English he has worked for Ensemble Musikfabrik, Ensemble Proton Bern, Trio Catch, University of the Arts Bern, Melisma Saxophone Quartet, Work in Progress Berlin, Konzertkontor Schwalb, ON Neue Musik Köln, Manos Tsangaris and Márton Illés.
Richard Haynes has performed to acclaim at many of the major Australian and European festivals for classical and contemporary music as a soloist, chamber and orchestral musician, including the international arts festivals of Adelaide, Brisbane, Melbourne, Perth and Sydney, Holland Festival, Budapest, Paris and Warsaw Autumn Festivals, MaerzMusik Berlin, Archipel Geneva, Vienna Modern, Salzburg Festspiele and New York's Lincoln Center Festival. He maintains regular concert activity as clarinettist of Ensemble Proton Bern, Manufaktur Aktueller Musik, Elision Ensemble, Praesenz and Stroma and is a regular guest performer with Ensemble musikFabrik, Klangforum Wien, Ensemble Resonanz and Ensemble Phoenix Basel. New works for clarinet have been written for and dedicated to him by Trevor Bača, Richard Barrett, Aaron Cassidy, Robert Dahm, Chris Dench, Liza Lim, Timothy McCormack, Michael Norris, Enno Poppe, Nemanja Radivojević, Rebecca Saunders and Jeroen Speak. He has performed in major instrumental, operatic or theatrical works such as CONSTRUCTION and Opening of the Mouth by Richard Barrett, Written on Skin by George Benjamin, MONDPARSIFAL by Bernhard Lang, Moon Spirit Feasting and The Navigator by Liza Lim, Delusion of the Fury by Harry Partch, Chroma and Stasis by Rebecca Saunders, El Publico by Mauricio Sotelo and KLANG: Die 24 Stunden des Tages by Karlheinz Stockhausen.